An analysis of how photography addresses ideas about still life, with Essay - 1

An analysis of how picture taking addresses ideas about still life, with particular reference to the works of Irving Penn Still Life - Essay Examplertant element complementing composition and the message conveyed by the artwork or communicating allegorical or latent meanings (Martineau, p.6) it after developed as an independent art form, acquiring its own definition, canons and traditions. Most dictionaries give the following definition to still life it is a picture that consists of nonliving objects like flowers, fruit, vessels or dead game. But on the other hand, still life as a genre has always been a subject to pagan influences that formed differences in defining and thinking of this genre.The first photographic still life picture emerged about a decade before the official resolution of photography invention in 1839 (Martineau, p.6). Nicephore Niepce, the inventor, was an author of the picture named Set Table depicting a laid table offering a meal for angiotensin converting enzyme person. The objects on the picture are rounded by deep shadows (the evidence of lengthy exposure), and the austerity of the photographed meal conveys allusions to Da Vincis Last Supper (Martineau, p.6).As photography emerged as a revolutionary art enabling painting not with brushes, but with light, the golden age of painting was gradually replaced by the age of digital fine art. Photography virtually borrowed almost all genres from painting, vesting them in the form of new technologies and using new means to create a desirable effect. In this way, still life migrated to photography, carrying all the key traditions of conventional still life painting to the newly invented art. Particularly, the photographers working at the dawn of photography practiced genius morte as one of the principal genres, using the same objects of depiction their predecessors employ to paint with oil or watercolor. Thus, first attempts in photography mirrored compositions used previously in pictoria l art (Ingledew, p. 57).The reason pioneers of photography such as Roger Fenton chose still life as the most favorable genre and pulseless objects as their